This summer we’ll release a profoundly disturbing and brilliant novel from D.G. Valdron, The Mermaid’s Tale. Part grimdark, part literary parable, Valdron has created a story you won’t soon forget.
In a city of majesty and brutality, of warring races and fragile alliances, a sacred mermaid has been brutally murdered. An abomination, a soulless Arukh is summoned to hunt the killer. As the world around the Arukh drifts into war and madness, her search for justice leads her on a journey to discover redemption and even beauty in the midst of chaos.
The design concept for this one presented our team with quite the conundrum. Should the cover reflect the wars and violence of the novel? Should it focus solely on the murder of the mermaid? We were going to go down the road of gore and splatter? Or were we going to reach for a restrained concept that conveyed the eerie and suspenseful tension Valdron created in his devastating novel?
And then were we going to go with darkness and moonlight? Text-based? What?
Jeff Minkevics admittedly struggled with this one, but eventually a concept coalesced, and he sent us the preliminary sketch of that vision floating about in his head.
Jeff came back to us with this:
We all felt this concept had no manna, lacked any true emotional impact.
While the cover below did convey creepy, it also lacked manna.And the one below, like Goldilocks’ bears’ third choice, was just right. Jeff said, “Of the three, I like [this] one the best. For some reason that look she’s got is something just a little beyond sad, or tired. It’s something a bit undefinable, and I really like it. Plus there’s a cool Botticelli Birth of Venus thing going on there with the eyes, and the head-tilt, and the hair.”
The Mermaid’s Tale, by D.G. Valdron, will be available late this summer in both print and eBook. It’s a story, and cover, that will haunt you. We guarantee it.